Aisle Seat

The funny bits are really funny, the dramatic parts are dramatic. But it never really comes together.

Hollywood in the 50s, populated with artists and control freaks, money men and predators, fed by gossip and rumour, paranoia and confusion

I want to shout it from mountaintops and treetops and the roofs of buildings, "Deadpool is @#$% awesome!" I want to grab everyone I see walking down the street and shout into their faces, "Why are you walking down the street? Why aren't you watching Deadpool? It's #$% awesome!"

"Pride and Prejudice and Zombies" is not just poorly lit and framed like a made for TV movie from the 80s and confusing and bewildering and frustrating. It is boring. Dull.

From the first frame to the last, very rare is the film that has made its way into my psyche and taken up residence. I'm afraid I'll never shake this film off. And I'm afraid I don't want to.

The Hateful Eight is the least accessible of Quentin Tarantino's films. It is also his most deceptively simple.

Looking Back, the 2015 Edition Since my first review went up on January 24 of The Interview , I've posted 25 pieces. In that time I've watched a Mad Max, a Jurassic Park , a James Bond , a Rocky , and a Star Wars .

The Force Awakens is a jaw-dropping spectacle, a rich and detailed piece of film making, a strong mix of the nostalgic and the new.

In the Heart of the Sea looks beautiful. Amazing. Stunning. Awesome.

Creed is a story about legacy, about the shadows that the past casts over the present.